Circular Ruin is a music agency, studio, and software company based in Brooklyn, NY. We represent composers, record producers, and music editors. We also make professional audio plugins.
We work on high-level studio films & TV, indie films, documentaries, and albums ranging from major label productions to the deepest of the underground. We are active members of the New York music community and have a heavy rolodex.
We do our best work with people who appreciate deep cuts and high production value. We can facilitate your musical dreams. Get in touch to talk about your project.
Life’s too short for bad music.
Dunn has worked with filmmakers Guillermo Del Toro, Julio Torres, Harmony Korine, Panos Cosmatos, Benny Safdie, Nathan Fielder, and Emma Stone. His production and co-composition of Jóhann Jóhannsson’s score for Cosmatos’ 2018 film Mandy won multiple awards and nominations from the Austin Film Critics Association, Fangoria Chainsaw Awards, the Seattle Film Critics Society, the Chicago Film Critics Association, and the Hollywood Music in Media Awards.
A Manhattan native and classically trained guitarist who studied composition at The New School, Greenberg is a producer, engineer, and songwriter with deep roots in underground music — a founding member of Uniform and a former member of The Men, Zs, and Hubble. He apprenticed under Grammy-winning engineer Mike Marciano at Systems Two, learning the fundamentals on 2″ tape, and now runs Brooklyn’s Python Patrol, with sessions at Electrical Audio, The Magic Shop, Strange Weather, The Pool, and Sonic Ranch. His credits span Danny Elfman, Depeche Mode, Drab Majesty, Show Me The Body, Junglepussy, Drew McDowall, Black Marble, and Christeene. He is principal engineer to composer Brian McComber’s scores — including the A24 films It Comes At Night and Krisha, Kingdom of Silence and 16 Shots (Showtime), Little Woods (Neon), Mickey and The Bear (Utopia), and Fair Play (Netflix) — and was Randall Dunn’s mix assistant on Mandy and co-engineer on Problemista. He has also mixed Ella Van Der Woude’s scores for Something You Said Last Night and Silver Haze. In 2024 he won the Cinema Audio Society award for Outstanding Achievement in Sound Mixing — Documentary, for his stereo and surround mixes of JD Samson’s score for Sam Green’s 32 Sounds.
Arjan Miranda is a songwriter, composer, producer, and music editor (IATSE 700) based in Brooklyn, NY. He grew up touring the world in bands. He is fanatical about music and has a deep record collection built from a lifelong pursuit of digging, listening, and researching. He specializes in anything strange and heavy — freak folk, nostalgic cult phenomenons, lost VHS horror soundtracks, new age synth madness, 80s punk, and proto heavy metal. Recent projects include the score for How To Feed A Dictator, premiering at Tribeca 2026, contributing music to John Lilly and the Earth Coincidence Control Office, and music editing on Marty Supreme and The Smashing Machine. Full IMDb here.